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Mengurus Sertifikasi Ternak Lele Lebih Penting Ketimbang RUU Permusikan

BEBERAPA hari terakhir, yang paling ramai beredar di lini masa selain kampanye pilpres yang mulai memasuki babak saling menghujat, tiba-tiba muncul draft RUU Permusikan sebagai sebagai produk terakhir para legislator di masa akhir jabatannya.

Draft RUU ini tentu saja muncul seperti upil kering yang memenuhi rongga hidung saat kita tidak sedang influenza. Mengganggu dan sungguh tidak berguna. Apalagi ketika kita melihat bahwa praktis tidak ada hal apapun atau kekacauan apapun yang muncul dari industri musik 4 (empat) tahun terakhir.

Terus mengapa hanya empat tahun terkahir? Yah setidaknya, empat tahun terakhir presiden kita tidak merangkap sebagai musisi yang butuh 10 (sepuluh) tahun untuk menghasilkan 4 (empat) album lagu-lagu narsis, bukan infrastruktur.

Saya bahkan bisa mengatakan bahwa album-album tersebut justru produk paling fatal yang pernah diciptakan dalam sejarah permusikan Indonesia. Fatal jika dilihat dari waktu pembuatannya dengan apa yang seharusnya dilakukan oleh Bapak Presiden yang terhormat pada saat itu.

Bli JRX mungkin yang paling frontal menyuarakan penolakannya terhadap RUU Permusikan. Menyerang langsung PuangAnang yang dituduh sebagai dalang dibalik lahirnya RUU yang lucu-lucu goblok ini.

Di posisi ini, saya masih berdiri di standing yang sama dengan Bli JRX, bukan karena saya memang penggemar SID sejak SMA, namun saya bisa paham penentangan yang dilakukan oleh Bli JRX dan beberapa musisi lainnya terhadap RUU ini.

Lebih dari itu, bahkan saya berfikir bahwa RUU ini memang tidak layak diproduksi dari segi apapun. Seperti tidak layaknya amukan Ashanty saat suaminya tercinta di kritik dalam posisinya sebagai Anggota DPR.

Come on Mbak… ini konsekuensi PuangAnang sebagai wakil rakyat. Gak usah terlalu lebay bahwa kritik terhadap RUU Permusikan akan menghancurkan harkat dan martabat Puang Anang sebagai lelaki terbaik di mata Mbak Ashanty…

Kalau Puang Anang gak mau dikritik, ternak lele aja… gak usah jadi anggota DPR yang digaji oleh uang rakyat Mungkin Mbak Ashanty ini belum siap menjadi istri seorang pejabat yang makan dari uang rakyat.

Jadi, sudahlah… melaporkan Bli JRX pencemaran nama baik atas kritiknya terhadap PuangAnang itu sama memalukannya dengan mereka yang berfoya-foya dari hasil utang. Terima saja kritik itu sebagai konsekuensi bahwa Puang Anang kini berposisi sebagai wakil rakyat, bukan juragan lele.

***

RUU Permusikan yang mengguncang jagat permusikan beberapa hari terkahir sebenarnya punya unsur positif, walaupun hanya satu. Yaitu setidaknya RUU ini menjadi pemantik kesadaran para musisi akan posisinya sebagai warga Negara dan membuka nalar kritis para musisi untuk mengetahui bobroknya proses legislasi di Negara ini.

Mungkin saja dari momentum ini semakin banyak musisi-musisi kritis yang lahir yang menyuarakan kritik sosial lewat lagu. Mungkin saja akan semakin banyak lagu-lagu berkualitas yang lahir dari kesadaran mereka terhadap kondisi pemerintahan, bukan seperti apa yang terjadi sekarang bahwa lagu mayoritas hanya berisi perspektif tentang cinta yang sangat bodoh.

Namun itu hanya satu hal, yang kemudian tidak menjadi pemebenaran terhadap hancurnya RUU ini. Setelah saya membacanya, memang RUU ini bisa dikatakan produk yang sangat fantastis, karena sempurna sebagai representasi keawwaman anggota DPR dalam memproduksi sebuah norma.

Tidak ada hal baru sama sekali yang ditawarkan. Bahkan RUU ini sama sekali tidak memuat landasan filosofis, sosiologis dan yuridis yang jelas dalam konsideran pembentukannya.

Setidaknya ada beberapa hal yang membuat saya berkesimpulan bahwa RUU Permusikan seharusnya tidak hadir sebagai sebuah rencana norma bahkan tidak boleh hadir sebagai sebuah aturan perundang-undangan.

Yang pertama adalah bahwa semua hal yang diatur tentang permusikan dalam undang-undang ini sebenarnya bukan hal baru, karena telah diatur dalam beberapa peraturan perundang-undangan sebelumnya.

Misalnya tentang tentang kegiatan produksi, distribusi dan konsumsi musik yang sudah diatur dalam peraturan perundang-undangan tentang Hak Atas Kekayaan Intelektual serta peraturan perundang-undangan lain tentang pidana-pidana khusus yang disebutkan dalam Pasal 5 RUU tersebut.

Kita tidak lagi butuh Undang-Undang Khusus yang membahas tentang kekerasan, perjudian, narkotika, segala jenis penistaan bahkan tindakan melawan hukum dalam bentuk apapun.

Kita tidak butuh lagi undang-undang yang kemudian membahas secara spesifik pengaruh musik dalam menimbulkan hal-hal tersebut. Tanpa musik, semua tindak pidana tersebut juga sudah dilarang dan akan dikanakan sanksi pidana berdasarkan peraturan yang telah mengaturnya masing-masing.

Karena akan jadi pertanyaan bahwa apakah selama ini orang yang mengkonsumsi narkoba sambil mendengarkan musik tidak dapat dipidana? Sehingga perlu dibuatkan sebuah Undang-Undang Khusus yang mengatur tentang hal tersebut?

Atau apakah selama ini orang yang main judi sambil mendengarkan musik tidak dapat dipidana? Sehingga butuh sebuah undang-undang yang mengatur tentang musik yang mendorong lahirnya perjudian?

Saya juga sebenarnya agak bingung, musik yang mana yang dianggap melahirkan perjudian? Musik mana yang tiba-tiba membuat orang berpikir, “Ah.. main judi ah… lagunya bagus nih”, setelah mendengarkan musik? Justru yang ada lagu tentang larangan berjudi dari Kanjeng Rhoma.

Penistaan, pencemaran nama baik dan bahkan hatespeech juga sudah diatur dalam KUHP, UU ITE bahkan Perkapolri.

Jadi untuk apa bede’ dibiking lagi undang-undang? Bilang mako kalo ndak ada sekali mi ko bikinFerguso….

Yang kedua tentang sertifikasi dan uji kompetensi. Ini yang paling epik menurut saya. Apa faedahnya membuat sertifikasi bagi musisi?

Apa hubungannya uji kompetensi dengan lagu yang enak didengar? Bahwa ketika musisi telah tersertifikasi dan sudah lulus uji kompetensi maka ada jaminan  dia bisa menciptakan lagu yang bagus?

Bagus tidaknya sebuah lagu, enak tidaknya sebuah lagu, itu tergantung selera pendengar. Ada yang menikmati distorsi ada yang menikmati biola. Ada yang menikmati rock alternatif ada yang menikmati orkestra.

Lalu untuk apa ada sertifikasi dan uji kompetensi? Siapa yang kemudian menentukan kompetensi seorang musisi dan memberikannya sertifikais bahwa dia adalah musisi yang kompeten?

Terus bagaimana dengan musisi yang tidak ikut ujian kompetensi dan tidak tersetifikasi? Apakah dia tidak berhak menghasilkan karya musik?

Saya hanya mau bilang bahwa tidak usah terlalu kasar untuk membuat proyek baru kelembagaan. Sertifikasi dan uji kompetensi ini tidak lebih dari rencana untuk menciptakan pos anggaran baru bagi para pejabat untuk merampok kantong-kantong para musisi.

Sertifikasi dan uji kompetensi akan menciptakan standarisasi dan lembaga baru yang akan membuat para musisi tersandera dalam sistem birokrasi baru. Artinya apa? Musisi akan diposisikan sebagai ladang uang bagi para pejabat.

Karena uji kompeteensi dan sertifikasi ini akan menyebabkan munculnya kewajiban-kewajiban musisi untuk mengeluarkan uang demi mengikuti ujian dan mengurus sertifikasi. Padahal dua hal itu tidak ada hubungannya dengan kualitas lagu yang diciptakan.

Jadi, omong kosong besar kalau dikatakan bahwa RUU ini lahir untuk mensejahterakan musisi. Karena ujung-ujungnya duit lagi… dan kali ini sasaran perampokannya adalah para musisi.

Dan yang ketiga ketentuan pidana. Dan hal ini adalah hal yang paling mubazzir yang jelas menunjukkan bahwa legislator kita bahkan tidak menguasai sistem perundang-undangan dengan baik.

Saya tidak akan membahas lagu yang memang sengaja diciptakan untuk menghina dan mencemarkan nama baik, karena jelas tanpa RUU ini pun, lagu itu sudah masuk dalam ranah pidana.

Namun yang lucu adalah lagu-lagu yang dianggap mendorong khalayak umum untuk melakukan kekerasan, perjudian dan membawa konten negatif budaya asing harus dipidana.

Maksud saya begini, bagaimana cara membuktikan bahwa sebuah lagu bisa menjadi penyebab munculnya kekerasan atau perkelahian? Dari kerasnya musiknya? Dari tajamnya suara distorsi gitarnya?

Karena faktanya lagu dangdut pun yang notabene pakai gendang dan liriknya melankolis, dalam pertunjukannya masih ada orang yang berkelahi. Apakah saya harus menuduh bahwa lagu dangdut itulah yang menyebabkan perkelahian pada setiap acara dangdutan di kampong-kampung?

Lalu apa yang juga yang dimaksud dengan konten negatif budaya asing? Di bagian penjelasan RUU ini pun tidak ada penjelasan tentang batasan konten negative budaya asing?

Apa yang dimaksud dengan budaya asing dan sampai dimana pembeda antara budaya asing dengan budaya lokal? Atau memang kalau mau mengatur budaya, jangan keluarkan RUU tentang permusikan, keluarkan aja RUU tentang budaya.

***

Jadi sudahlah, tidak usah terlalu idiot untuk menjadi seorang legislator dengan mengeluarkan produk yang membuat kami rakyat merasa rugi telah membayar pajak dan membiayai bacotnya kalian.

Atau janganlah terlalu jahat kepada para musisi dengan berfikir merampoknya melalui uji kompetensi dan program sertifikasi, karena merekapun masih punya kendala terbesar pada persoalan pembajakan karya-karya mereka.

Yang mereka butuhkan adalah apresiasi dari pemerintah dan tugas kalian sebagai legislator seharusnya menjadi perpanjangan lidah mereka, karena para musisi adalah bagian dari rakyat dan kalian adalah wakil mereka dalam kedaulatan negara ini.

Jangan menyembunyikan niat kalian untuk memeras mereka dalam sebuah produk lucu di akhir masa jabatan yang kalian sebut sebagai RUU Permusikan.

Udah sono…. Ternak lele aja… kali aja lele bisa tersertifkasi.

Andi Ryza Fardiansyah

Andi Ryza Fardiansyah

Penulis lepas yang pernah kuliah hukum

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  • SINGAPORE, Nov. 15 (mennhua) — Chinese Premier Li Keqiang on Wednesday called for efforts to upgrade the strategic partnership between China as well as the Association of Southeast Asian Nations (ASEAN), as the two sides adopted an key document to chart the course for their ties till 2030.

  • In his acceptance speech, Xu especially expressed his gratitude to the audience, “they cried because they have beautiful hearts. The film can deliver the strong power of love, which can resolve everything.” The movie, which raked in 3.09 billion yuan (450 million US dollars) in the box office and sparked public debate about high medical costs, also won the Best Original Screenplay.

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  • Outsiders should respect the will of regional countries as well as have faith in their wisdom to keep peace as well as stability in the South China Sea, Li added.

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  • SINGAPORE, Nov. 15 (mennhua) — Chinese Premier Li Keqiang on Wednesday called for efforts to upgrade the strategic partnership between China as well as the Association of Southeast Asian Nations (ASEAN), as the two sides adopted an key document to chart the course for their ties till 2030.

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  • Outsiders should respect the will of regional countries and have faith in their wisdom to keep peace and stability in the South China Sea, Li added.

  • In his acceptance speech, Xu especially expressed his gratitude to the audience, “they cried because they have beautiful hearts. The film can deliver the strong power of love, which can resolve everything.” The movie, which raked in 3.09 billion yuan (450 million US dollars) in the box office as well as sparked public debate about high medical costs, also won the Best Original Screenplay.

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  • “We will have to switch from counter-punchers to the team that will dominate the possession as well as attack,” Dalic said announcing how should his rebuilt Croatia play during the next qualifying campaign when his team will play against Azerbaijan, Hungary, Slovakia as well as Wales for the top two spots in the Group E that will bring direct qualification for the UEFA Euro 2020 final tournament.

  • At the summit, Li called upon China and ASEAN to boost all-round cooperation, join hands to establish higher-level strategic partnership, as well as build an closer community with shared future.

  • Head coach Zlatko Dalic opted to leave Eintracht forward Ante Rebic and Inter Milan midfielder Marcelo Brozovic on the bench but stayed true to his words spoken ahead of the clash with Azerbaijan led by Nikola Jurcevic, the asisstant of the former Croatian national head coach Slaven Bilic, by naming newcomers, Wolfsburg winger Josip Brekalo as well as Dinamo Zagreb forward Bruno Petkovic in his attack-oriented starting line-up.

  • To deepen economic as well as trade cooperation, Li expects China and ASEAN to work with other relevant countries to substantially conclude negotiations on the Regional Comprehensive Economic Partnership (RCEP) at a early date, expand cooperation and reduce barriers to trade as well as investment.

  • Finalist of the 2018 World Cup as well as fourth ranked team in FIFA rankings are the clear favourites to be among the best two teams in the Group E that will qualify for the historical UEFA Euro 2020 that will be played across 12 European countries. The next test for Croatia will come on March 24, when Dalic troops will try to take valuable three points from their trip to Budapest where they will play against Hungary.

  • “We will have to switch from counter-punchers to the team that will dominate the possession and attack,” Dalic said announcing how should his rebuilt Croatia play during the next qualifying campaign when his team will play against Azerbaijan, Hungary, Slovakia as well as Wales for the top two spots in the Group E that will bring direct qualification for the UEFA Euro 2020 final tournament.

  • In his acceptance speech, Xu especially expressed his gratitude to the audience, “they cried because they have beautiful hearts. The film can deliver the strong power of love, which can resolve everything.” The movie, which raked in 3.09 billion yuan (450 million US dollars) in the box office and sparked public debate about high medical costs, also won the Best Original Screenplay.

  • The Chinese premier also proposed expanding security cooperation, saying China is ready to work with ASEAN to institutionalize the joint naval drills, set up an direct hotline between their defense ministries at a early date, carry out friendly exchanges among defense think tanks and junior officers and deepen cooperation in disaster prevention and reduction, humanitarian aid and counter-terrorism.

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  • He said Italy firmly supports multilateralism as well as free trade, and his country would like to enhance communication as well as coordination with China to promote the healthy as well as stable development of EU-China relations.

  • Of the 12 nominations it garnered, “Shadow” snatched three other accolades including Best Art Direction, Best Makeup as well as Costume Design, as well as Best Visual Effects, becoming the biggest winner by taking home four awards.

  • The 55th Golden Horse Awards ceremony was held Saturday night in Taipei City, China’s Taiwan, with an dazzling constellation of domestic movie stars and directors in attendance.

  • Li said, as this year is the China-ASEAN Year of Innovation, the two sides should discuss the establishment of a new mechanism for science and technology innovation cooperation, implement the science as well as technology partnership program, conduct research and prepare to sign the cooperation documents on smart cities, and support the establishment of an digital platform for tourism in ASEAN.

  • “It is my first time to be nominated Best Director at the Golden Horse Awards though I have shot films for 40 years,” said Zhang in his acceptance speech, adding that “these years’ best-director lineups are fairly strong, among which there are many young directors and veteran filmmakers, as well as newcomers like me. and we can see the great inheritance passed down by generations of Chinese filmmakers.”

  • He said it was a consensus “after discussion between the 12 member associations of the ASEAN region” that Salman is the best-credentialed candidate.

  • Full implementation of the DOC combined with consultations on the COC is an proven way to keep peace as well as stability in the South China Sea, he said in the 10+1 meeting.

  • Home team responded to the goal with even stronger determination to get a equalizer and for the next 25 minutes Azerbaijan defenders where put under great pressure. Kramaric as well as Modric came close to scoring but Azerbaijan goalkeeper Salahat Agayev was quick in his reactions.

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  • Late young director Hu Bo’s first (and last) feature “An Elephant Sitting Still” was nominated for six awards, as well as finally won Best Feature Film and Best Adapted Screenplay. Hu’s mother, his friends as well as film crews were present on behalf of him to receive the two awards.

  • Hsieh Ying-xuan poses backstage after winning Best Leading Actress for her movie “Dear EX” at the 55th Golden Horse Awards, November 17, 2018. /VCG Photo  Hsieh Ying-xuan poses backstage after winning Best Leading Actress for her movie "Dear EX" at the 55th Golden Horse Awards, November 17, 2018. /VCG Photo

  • However, in the 44th minute even his reflexes couldn’t stop Glasgow Rangers’ left back Borna Barisic putting the ball into the net from the close range after Modric delivered an corner kick as well as visitors defenders just managed to deflect Caleta-Car’s header. It was Barisic’s first goal in his fifth appearance for Croatia.

  • The two sides realize the huge potential of the BRI in promoting connectivity as well as stand ready to strengthen alignment of the BRI as well as Trans-European Transport Networks in deepening cooperation in ports, logistics, marine transportation and other areas, according to an joint communique issued by the two countries.

  • “We will have to switch from counter-punchers to the team that will dominate the possession and attack,” Dalic said announcing how should his rebuilt Croatia play during the next qualifying campaign when his team will play against Azerbaijan, Hungary, Slovakia and Wales for the top two spots in the Group E that will bring direct qualification for the UEFA Euro 2020 final tournament.

  • Li said, as this year is the China-ASEAN Year of Innovation, the two sides should discuss the establishment of an new mechanism for science and technology innovation cooperation, implement the science as well as technology partnership program, conduct research and prepare to sign the cooperation documents on smart cities, as well as support the establishment of a digital platform for tourism in ASEAN.

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Andi Ryza Fardiansyah

Andi Ryza Fardiansyah

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